Jeonghyeon Joo
composer | haegeum performer

100% Natural Organic Box Slices (2024)
Sound Installation: 4-channel audio with portable speakers, 4 minutes and 20 seconds
Opening Performance: Jeonghyeon Joo & Eric Heep, 11/23/2024

commissioned by A Study of 75 Banana Boxes (Group Show)
curated by Jiyoung Ryu

Audio file available by request.


Stills from installation, 11/23โ€“12/2/2024.


Stills from performance, 11/23/2024.

์ž‘๊ฐ€๋Š” ๋ฐ”๋‚˜๋‚˜ ๋ฐ•์Šค๋ฅผ ์ง์ ‘ ํ™œ๋กœ ๊ธ๊ณ  ์ฐ์–ด๊ฐ€๋ฉฐ ์†Œ๋ฆฌ๋ฅผ ์ฑ„์ง‘ํ•ด๋‚ธ 4์ฑ„๋„ ์˜ค๋””์˜ค ํ”ฝ์Šค๋“œ ๋ฏธ๋””์–ด ์ž‘ํ’ˆ์„ ํ†ตํ•ด, ์ผ์ƒ์˜ ๋ฌผ์งˆ์„ ๊ฐ๊ฐ์  ์‚ฌ์šด๋“œ ์˜ค๋ธŒ์ œ๋กœ ๋ณ€ํ™˜ํ•œ๋‹ค. ์‚ฌ์šฉ๋œ ํ™œ์€ ์ „ํ†ต ํ˜„์•…๊ธฐ์˜ ํ™œ์ด๋ฉฐ, ์‚ฌ์šด๋“œ๋Š” ๊ฐ€๊ณต์ด๋‚˜ ํšจ๊ณผ ์—†์ด โ€˜๊ทธ๋Œ€๋กœโ€™ ์ˆ˜์Œ๋˜์–ด ์Šคํ”ผ์ปค๋กœ ์žฌ์ƒ๋œ๋‹ค. ์ž‘๊ฐ€๋Š” ์ด ๊ณผ์ •์„ โ€˜์ฐ๋ฆฐ๋‹คโ€™๋Š” ๊ฐ๊ฐ์œผ๋กœ ํ‘œํ˜„ํ•˜๋ฉฐ, ๋ฐ”๋‚˜๋‚˜ ๋ฐ•์Šค๋ฅผ ํ•˜๋‚˜์˜ ์•…๊ธฐ์ด์ž ์œ ๊ธฐ์  ์กด์žฌ๋กœ ๋‹ค๋ฃฌ๋‹ค. 4๋ถ„ 20์ดˆ๋ผ๋Š” ๋Ÿฌ๋‹ํƒ€์ž„์€ 420์ด๋ผ๋Š” ๋ฌธํ™”์  ์€์œ ์™€๋„ ์—ฐ๊ฒฐ๋˜๋ฉฐ, ๋ฐ”๋‚˜๋‚˜ ๋ฐ•์Šค๋ฅผ ๋งค๊ฐœ๋กœ ํ•œ ๋‹ค์–‘ํ•œ ์šด์†กยท์œ ํ†ต์˜ ๋งฅ๋ฝ, ๋ถˆ๋ฒ•๊ณผ ํ•ฉ๋ฒ• ์‚ฌ์ด์˜ ๊ฒฝ๊ณ„ ๋“ฑ ๋‹ค์ธต์ ์ธ ๋ ˆ์ด์–ด๋ฅผ ์ œ์‹œํ•œ๋‹ค. ์ด ์ž‘์—…์€ ๋‹จ์ˆœํ•œ ์†Œ๋ฆฌ ์ด์ƒ์˜ ๊ณต๊ฐ„ ์กฐํ˜•์œผ๋กœ ์ž‘๋™ํ•œ๋‹ค. ์ „์‹œ์žฅ ๋‚ด๋‚ด ์šธ๋ ค ํผ์ง„ ์ด ์†Œ๋ฆฌ๋Š” ๊ณต๊ฐ„์„ ๋ฐ€๋ฆผ์ฒ˜๋Ÿผ ํ˜น์€ ๊ณต์‚ฌํ˜„์žฅ์ฒ˜๋Ÿผ ๋ณ€ํ™”์‹œํ‚ค๋ฉฐ, ๊ด€๊ฐ ๊ฐ์ž์—๊ฒŒ ๋‹ค๋ฅธ ํ•ด์„์„ ๋Œ์–ด๋‚ธ๋‹ค. (75๊ฐ€์ง€ ๋ฐ”๋‚˜๋‚˜ ๋ฐ•์Šค ์—ฐ๊ตฌ ํ•ด์„ค ์ค‘)

Jeonghyeon Joo captures sounds by scraping and slicing banana boxes with a bowโ€”recorded without electric processing or effectsโ€”transforming everyday materials into sound objects through a 4-channel fixed audio work. The bow used for slicing is haegeumโ€™s bow (a two-stringed traditional instrument) and the raw recorded sounds are played back through speakers located in four different boxes. The artist describes this process as the sense of โ€˜being sliced,โ€™ treating the banana box as both an instrument and a living entity. The 4 minutes and 20 seconds runtime connects to the cultural metaphor of 420, presenting multi-layered contexts: the various transportation and distribution systems mediated by banana boxes, and the boundaries between illegality and legality. This work functions as spatial sculpture resonating throughout the exhibition space: this sound transforms the space into something like a jungle or a construction site, drawing different interpretations according to individual viewer. (text by A Study of 75 Banana Boxes)
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